It began with Upendrakishore Ray Chowdhury who pioneered the art of producing children’s literature. His son, Sukumar Ray, then chose to carry forward his father’s legacy with his innovative writing style that flabbergasted children. Then came his son, Satyajit Ray, with a creative mind that appealed to children as well as adults and gave a new direction to The Ray Legacy.
“Night Theater begins with a surgeon who is struggling against corruption in his dilapidated village clinic, and who is visited one evening by the dead and thrust into a bizarre night of revelations and surgeries, with the surgeon trying to restore them to life.”
The prisoners in the cell at least know that they are imprisoned and that’s why they try to escape–not a good thing, but it is what it is. Some of them might even be released after they complete their term. But what about us? The people who are trapped in the prison of life. When will our term end? Will we never even strive to escape? Will we never meet our freedom? If yes, then how?
Poetry has a way of touching the deepest corner of our hearts and talking directly to our souls. The trail of the essence that it leaves in our minds is what makes us relate poetry to the most beautiful art of the Universe. It’s like painting on the canvas of the soul with words from Heaven.
For a long time, Tagore wasn’t allowed to leave the premises of his house. But he wanted to see the outside world. When someone visited their house, young Tagore asked them to narrate stories of the world outside. The more he heard, the more his desire rose. Yet, there was no escape.
No age had ever been able to produce such a great talent. A common belief goes that one cannot complete reading all his literary works in one life – such is the vastness of his genius. No doubt, he is almost worshipped by the Bengalis. Tagore wrote short stories, poems, novels, dramas and songs.